a human being died that night

Jacqueline Thompson transforms herself into the captivating and persistent Gobodo-Madikizela. With a spot on accent and reactions that reflect her character's changing perspective, she remains curious and nonjudgmental -- a surprise to both de Kock and the audience. She wants to know what happened under de Kock's leadership, how it made him feel, and, as importantly, why de Kock asked to speak with his victims' widows. There's an effortless empathy to Thompson's performance, ensuring we see the process and emotions Gobodo-Madikizela experienced. When she twitches with remembered pain, you wonder why she doesn't strike out. When she pointedly bites her tongue, you wonder where she finds the courage to continue. Thompson imbues every line with a sense of urgency and personal power, resisting the natural desire for retaliation with grace and refusing to be intimidated by de Kock. 

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